https://www.maude-andrade.com/tyvek daily 0.75 2018-03-26 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1476322484118-C3QPPQ5XTRKYQ1B4ON0H/Blue+Racer.jpg Romance & Necessary Fictions - Blue Racer 12"x12" 2015 SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1476322484118-C3QPPQ5XTRKYQ1B4ON0H/Blue+Racer.jpg Romance & Necessary Fictions - Blue Racer 12"x12" 2015 SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942781743-PBXXF2XI21SY8HHVM3XD/IMG_1979.JPG Romance & Necessary Fictions - Romance & Necessary Fictions https://www.andrade-hale-jones.com/ https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942133040-A448ZNVRCB2RGMA7R2ED/IMG_1979.JPG Romance & Necessary Fictions https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942517072-EC7ZVO3XJS1NTO6WX5OY/IMG_1972.JPG Romance & Necessary Fictions - Romance & Necessary Fictions https://www.andrade-hale-jones.com/ https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942707560-JHUEB9E7TV0NJLVFIA3E/IMG_1964.JPG Romance & Necessary Fictions - Romance & Necessary Fictions https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1397324157753-LASAR08W1XSLT0YV1D2T/Killer_Whales.jpg Romance & Necessary Fictions - Killer Whales Mixed Media on Board, Gold Frame | 12" x 12" | 2013 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942512916-LMTFIOFWKCL4BDEK8YZY/IMG_1968.JPG Romance & Necessary Fictions https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942521278-H6JK1N1MF9CQOY78TFAZ/IMG_2033.JPG Romance & Necessary Fictions https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942529044-GIPTFH8H869HRALZ3NEU/IMG_2038.JPG Romance & Necessary Fictions https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521942527362-4V7QI4O18WBLXH0YO9GT/IMG_2039.JPG Romance & Necessary Fictions https://www.maude-andrade.com/ellipse-series daily 0.75 2026-01-03 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767319277950-MFHH1SLN5A9YMZLI2TVZ/Future+Perfect+13.jpg Ellipse Series/White/Interference Pigments - Epicenter #9 Mixed Media Painting collage and oil on board12 “x12”x 3” I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1606504734065-J7A7T238E265T4QEWQPT/WhiteDiptychA.jpg Ellipse Series/White/Interference Pigments - White 2017 diptych 12x20x3 mixed media on board SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767319277950-MFHH1SLN5A9YMZLI2TVZ/Future+Perfect+13.jpg Ellipse Series/White/Interference Pigments - Epicenter #9 Mixed Media Painting collage and oil on board12 “x12”x 3” I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767320609699-MTGSQY6AGTTE2WTNZOHS/Epicenter+1_edited-1.jpg Ellipse Series/White/Interference Pigments - Epicenter #11 Mixed Media Collage and Oil on board 24"x36"x3” In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767318373548-KCF8HGTHW3U5X1W1VGY8/Epicenter+1_edited-1.jpg Ellipse Series/White/Interference Pigments - Epicenter #1 Mixed Media 20"x20" I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603014405-8W5AAV1HB2HFHB9S03ZD/Epicenter+17_edited-1.jpg Ellipse Series/White/Interference Pigments - Epicenter #17 Mixed Media 20"x20"x3” In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. ! The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1586976173117-ULNK5CTUC3TA430FVO2Q/Future+Perfect6_edited-1.jpg Ellipse Series/White/Interference Pigments - Future Perfect #6 Mixed Media Painting Interference pigment 12"x12"x3” Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767318639437-PZL4KWILE0AP5JHQYTEY/Future%2BPerfect%2B13.jpg Ellipse Series/White/Interference Pigments - Future Perfect #13 Mixed Media Interference Pigment 12 x12 x 3" Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1586975852238-56JXMQ17B38XN3VH6K44/Future+Perfect+13.jpg Ellipse Series/White/Interference Pigments - Future Perfect #14 Mixed Media Painting Interference Pigment 12 x12 x 3" Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603098755-TVPGTTA0TBTDP0LC8YQE/Future+Perfect5_edited-2.jpg Ellipse Series/White/Interference Pigments - Future Perfect #5 Mixed Media Collage, oil, and Interference pigments 36"x36"x3. Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767318691178-LM2EX1JVCRLCZ9WF10IH/Future+Perfect6_edited-1.jpg Ellipse Series/White/Interference Pigments - Viel of Tron #4 Mixed Media Painting Collage and Metallic powder 12"x12"x3” https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767321438334-A5FUHZHT3ZH51ZG0STM5/Future%2BPerfect%2B13.jpg Ellipse Series/White/Interference Pigments - Future Perfect #1 Mixed Media Collage, Oil, and Interference Pigment on board 12” x12” × 2" Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767377892050-5K2PNC219HRF0F1NUO7H/Untitled+White3.jpg Ellipse Series/White/Interference Pigments - Epicenter #18 Mixed Media Collage, Metallic powder in oil on board 24”x36”x3” I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1759598403587-ZR3YW6KF0YZBBOCLDQRR/Epicenter%2B16_edited-1.jpg Ellipse Series/White/Interference Pigments - Epicenter #16 Mixed Media #24"x36" SOLD In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. ! The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603147288-J9WYUUEPB7B5961TADAU/Future+Perfect3_edited-1.jpg Ellipse Series/White/Interference Pigments - Future Perfect #3 Mixed Media Interference pigment 12"x12" Sold In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. ! The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603059295-DKAANNW61LODTQBE1PLI/Future+Perfect4_edited-1.jpg Ellipse Series/White/Interference Pigments - Future Perfect # 4 Mixed Media Interference pigment 12"x12" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603038410-KJEZF1321644X8CAA775/Future+Perfect+9_edited-1.jpg Ellipse Series/White/Interference Pigments - Future Perfect #9 Mixed Media interference pigment 12"x12" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416602948879-Z5J255WI31AY7GRG8ZO8/Epicenter+9_edited-1.jpg Ellipse Series/White/Interference Pigments - Epicenter #9 Mixed Media 12"x24" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1493865119341-PW99QCANW5ZLUZ2DTLYQ/Untitled+White2.jpg Ellipse Series/White/Interference Pigments 10"x12"x2" graphite and oil on board to purchase contact Allison Barnett at Patina Gallery, Santa Fe New Mexico 505-986-3432 SOLD https://static1.squarespace.com/static/532f3290e4b0eaed9ab83263/53324905e4b012699b8d5934/6957299ed1ce3423ec156294/1767319958373/ Ellipse Series/White/Interference Pigments - Epicenter #9 (Copy) Mixed Media Painting collage and oil on board12 “x12”x 3” In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://www.maude-andrade.com/tyvek-totes daily 0.75 2020-08-22 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129870145-7EBC4WYC9R2ALH1HYLFI/Tyvek+Tote.jpg Tyvek Tote - Tyvek Tote https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129870145-7EBC4WYC9R2ALH1HYLFI/Tyvek+Tote.jpg Tyvek Tote - Tyvek Tote https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129534756-B78H1DB92QLR9FB44M6A/Tyvek+Tote+grey_coral.jpg Tyvek Tote - Tyvek Tote Orange Black Dots SOLD Shop tote bags https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129057858-WYM0SVX8EHI09O0OPG0E/Tyvek+Tote+yellow+middle.jpg Tyvek Tote - Tyvek Tote-Yellow Middle https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129269111-L7WH0WLLTRH5741A3T8I/Tyvek+Tote+grey.jpg Tyvek Tote - Tyvek Tote Grey https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129473767-EUWAQ9QHRFL4VLKVVMHC/Tyvek+tote+grey+b.jpg Tyvek Tote - Tyvek Tote Grey SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129810896-90UPBFU02IQ9H4UUIZJW/Tyvek+tote+black+dots.jpg Tyvek Tote - Tyvek Tote Black Dots https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129689355-U9AO6XQB74UU57W3Z74E/Tyvek+Tote+Teal.jpg Tyvek Tote - Tyvek Tote Gren Dots & Lines https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129615493-N2ZDW05C862PEKQR0AUF/Tyvek+tote+yellow+bottom.jpg Tyvek Tote - Tyvek Tote Grey Circles https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129954631-S3J6I06KFR1IMP1YWQKE/image-asset.jpeg Tyvek Tote - Tyvek Tote Orange Black Dots SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1445129999226-UOQKHPK3SH3UC8I4UGIH/Grey+Wash+top.jpg Tyvek Tote - Tyvek Tote Grey https://www.maude-andrade.com/paintings2014 daily 0.75 2020-03-30 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585600773191-DW2MRKU1QCOE0HBR9198/Undo-My-Logic_800.jpg Finding Reason - Undo My Logic Mixed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585600773191-DW2MRKU1QCOE0HBR9198/Undo-My-Logic_800.jpg Finding Reason - Undo My Logic Mixed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585600929692-R7K6SKCM9KLLMPA6CBXS/Fingers-Like-Fuses_800.jpg Finding Reason - Fingers Like Fuses Mixed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585600972925-QSA8XT94DT8SMJWHZCWU/Glacier%27s-Patience_800.jpg Finding Reason - Glacier's Patience Mixxed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585601047029-YVU5RP66GENGIWHV14YV/Last-Night%27s-Blue-Dress_800.jpg Finding Reason - Last Night's Blue Dress Mixed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585601117729-9GNYN9AM7B57KUWS5AM1/No-Mermaid_800.jpg Finding Reason - No Mermaid Mixed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585602121417-EV2QOCXCS23KJBMXQ9QF/No-Past-No-Future_800.jpg Finding Reason - No Past No Future Mixed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585602262534-47WKYWDIK10OHYE1NCZU/Pink-Moon_800.jpg Finding Reason - Pink Moon Mixed Media | 20" x 20" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585602513360-HMXRZ4Q18ISRTSSPRG55/Pink-Moon_800.jpg Finding Reason - Pink Moon (Copy) Mixed Media SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1538841465371-Z54Q9TQXK2EJGT09SKE4/Speaking+Swedish+to+the+Chickens+4_edited-1.jpg Finding Reason - Speaking Swedish to the Chickens #4 24”x24” Mixed media on board 2010 SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1538841711103-22LKEEGDC6D0AWT554VY/Speaking+Swedish+to+the+Chickens+4+side_edited-1.jpg Finding Reason - Speacking Swedish to the Chickens #4 20”x20”x3” Mixed media on Board 2010 SOLD https://www.maude-andrade.com/studio daily 0.75 2021-10-07 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1578889378197-NYXQD4O88RLMJ79VFR9W/image.jpg Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1632601003128-IYNNV818R64180MFTH3A/IMG_5875.JPG Studio - Maude Andrade Studio photo by Nathan Paolinilli tetsuro76 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1632600695434-6V3UF8GH3ZAFJP7MSOHD/IMG_5875.JPG Studio - Maude Andrade Studio Cloud Paintings photo by Nathan Paolinilli @tetsuro76 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1632600907231-9IWFVOF17I3YTO3SGKNV/IMG_5875.JPG Studio - Maude Andrade Studio photo by Nathan Paolinilli @tetsuro76 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1573941766621-RWYL9ILWQA9SHTMBZK55/IMG_7660.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1633576350759-U0SYFK1HIMAKBY1BAL4Y/48F9BFEC-E2BD-4002-BF22-877583BB129E.jpeg Studio - Printing shirts https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1633576536560-OQY73J45RBO5WM51JXER/5678B479-7A1A-4BBA-938B-E9E5F200532F.jpeg Studio - Silk screens drying https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1573941713463-UFUVSJUJY6BKQJYHI19A/IMG_7616.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1573941654177-THVKYGQAVN3EYNZ3N8ZV/IMG_7652.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1633576152692-5MUW6VFRXMMVXTWME29E/122514B6-8422-48CD-9B58-0DEDDF89F2FB.jpeg Studio - Sorting to print https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552865559931-5A6RFLNOZNY1OHGI4CTK/IMG_6443.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552865660300-NFCJF0P65FX0QJW19MMH/IMG_6444.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552866171400-9J5POM3VPFSPK5V892KR/IMG_6540.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552866089785-HZ3551RH96F69VRPT9CJ/IMG_6232.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552865807641-G0DGX7YGJKD70DM1ZR6F/IMG_6118.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552864258174-BQUMB2Z1IMVXTYRZ8V47/IMG_6569.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552865603856-NB47EAR9BGI3RVEIGUZG/IMG_6410.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1552865750754-5GL0FYOPIS9H1XZP1MIQ/IMG_6220.JPG Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1454626316374-L11GZQV7RNG4A6EPWU5B/IMG_0091.jpg Studio https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1440536455666-WINGHLTHEDEQYM1DDD0B/IMG_0063-28.jpg Studio https://www.maude-andrade.com/tyveknoren daily 0.75 2015-12-30 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416605340890-BEGX3LVOZJ2U48F1K0DC/Finding+Reason_2338+2_edited-1.jpg Tyvek Noren Installed in "Finding Reason", April 2014 The Harwood Art Center, Albuquerque, New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416605340890-BEGX3LVOZJ2U48F1K0DC/Finding+Reason_2338+2_edited-1.jpg Tyvek Noren Installed in "Finding Reason", April 2014 The Harwood Art Center, Albuquerque, New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416605269102-CCTC6KSW5J5IYM0EJPFS/Tyvek+Installation_edited-1.jpg Tyvek Noren Tyvek Noren Installation https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1441238744296-5G18IDA4OSFWQMMP40MS/Shiboir+Indigo+ink.jpg Tyvek Noren - Shibori Panel 30" x 74" Ink and acrylic https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1441238758531-4WP5099JUYSCS9FTOQFT/Shibori+Indigo+ink+detail.jpg Tyvek Noren - Shibori detail Ink on tyvek https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1451497808487-B0Y79UD8366KLQI3Y0YX/Greys+30x74_edited-1.jpg Tyvek Noren - Mokume Greys 30" x 74" Mokume Tyvek Ink https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422571430373-NT2P524XYV6BBTFTA3QW/image-asset.jpeg Tyvek Noren - Mokume 5 36"x90" Mixed Media 2015 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422570967289-5KPL5IEKMBS345320521/image-asset.jpeg Tyvek Noren - Itajme 4 36"x90" Mixed Media 2015 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422570735879-WBXLECFPN5KUMRX95F70/Itajme1_Front.jpg Tyvek Noren - Itajme 1 Front 36" x 90" | Mixed Media | 2014 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422571210460-1E9P5MB6FSARXK8ZFXSW/image-asset.jpeg Tyvek Noren - Mokume 4 36"x90" Mixed Media 2015 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422570779223-MKHMZLGE1JHXC640KY7A/Itajme2_Front.jpg Tyvek Noren - Itajme 2 Front 36" x 90" | Mixed Media | 2014 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422570823158-S3AGSRX33560FOOO7IP3/Itajme3_Front.jpg Tyvek Noren - Itajme 3 Front 36" x 90" | Mixed Media | 2014 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422570884898-MQLIDASW4FLY6DD8DTPW/Mokume3_Shibori_Front.jpg Tyvek Noren - Mokume 3 Front 36" x 90" | Mixed Media | 2014 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422570855464-8I1FLFKWI1TWRJBTI067/Mokume2_Shibori_front.jpg Tyvek Noren - Mokume 2 Front 36" x 90" | Mixed Media | 2014 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1446868316369-XQ6EQK0ZTCUUVY7W86AJ/Itjime+30.74.jpg Tyvek Noren https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1441238715363-NK5DIX0ZER4K6DI4N0V1/Shibori+Grey+interferance.jpg Tyvek Noren - Shibori Panel Grey 36' x 90" Ink and interference pigment https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1441238731161-V50ZR73K0WBBIJE2ZKBA/Shibori+Grey+detail.jpg Tyvek Noren - Grey Shibori detail https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1446868373635-U849TQ7S0WJSHRRUS6CD/Itjime+redblack+30.74.jpg Tyvek Noren https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1446868411179-GP17X3G2ACPSEFJJG0PX/Mokume+indigo+middle+30.74.jpg Tyvek Noren https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1446868461095-RQEY55SWUE1ZWIZMLKGL/Mokume+indigo+middle+30.74.jpg Tyvek Noren https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422571542011-HTQXJN0X71CRZG8DD7HT/image-asset.jpeg Tyvek Noren - Ellipse Grid 36"x90" Interference Pigment 2015 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422571750158-TK5XU850KVYL51Y0V2J8/image-asset.jpeg Tyvek Noren - Ellipse 3 36"x96" Mixed Media 2015 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1422571640607-OZLM7RBHAG2IN8PH3L3O/image-asset.jpeg Tyvek Noren - Ellipse 2 36"x90" Mixed Media 2015 https://www.maude-andrade.com/tyvek-noren-18x48-1 daily 0.75 2025-07-27 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753545266658-GK4QYC4XF0M4EKTMR7KM/image-asset.jpeg Tyvek Noren 18x48 - Itjeme Indigo Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753545266658-GK4QYC4XF0M4EKTMR7KM/image-asset.jpeg Tyvek Noren 18x48 - Itjeme Indigo Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753546251390-SSX5AUG27U3M15D8H8DD/image-asset.jpeg Tyvek Noren 18x48 - Birds on a Wire Tyvek Noren 18”x48” 2025 Represented by Patina Gallery, Santa Fe, NM https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753546480073-QMN9TH3U1PMJ9VFUV09H/image-asset.jpeg Tyvek Noren 18x48 - Itjeme Mountains Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753551323200-G9CTVUW44ZQ6J5BBN7MR/image-asset.jpeg Tyvek Noren 18x48 - B W R Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753551211833-GY5FO72TPRK8MD6GRFIK/image-asset.jpeg Tyvek Noren 18x48 - B W R Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753550821856-NV5LS8KCTPJG65GYI4FH/image-asset.jpeg Tyvek Noren 18x48 - Itjeme Indigo Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753550985125-ED9E3J491V0VHKEOIXE9/image-asset.jpeg Tyvek Noren 18x48 - Mokume Indigo Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753551082195-D9943AA7GSK0E3SD8M6M/image-asset.jpeg Tyvek Noren 18x48 - B & W Tyvek Noren 18”x48” 2025 Represented at Patina Gallery, Santa Fe New Mexico https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753546086754-600V12PGUU008QTOCX0H/Black%252BWhite%252B18x48_edited-1.jpg Tyvek Noren 18x48 - Black & White 18" x 48" Ink on Tyvek SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525360587-D0ZYAHMUKZGPVG7T90F2/Mokume+sideway+grey+18.48.jpg Tyvek Noren 18x48 - Mokume Grey Interference Pigment 18 x 48 Tyvek & Ink SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525402181-DVE4AYJL4IQQDERHEQ6S/Mokume+teal+grey+18.48.jpg Tyvek Noren 18x48 - Mokume Black Grey Teal 18 x 48 SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525407339-A9IYK5JYZTQ8PGK6QH7U/Mokume+indigo+red+18.48.jpg Tyvek Noren 18x48 - Mokume Indigo 18 x 48 Tyvek & Ink SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525402192-CY5SFD9U9VMQPB7MW3OK/Itjime+greywhite+18.48.jpg Tyvek Noren 18x48 - Itjime White Black/grey 18 x 48 Tyvek & Ink SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525404635-RCSHLH0UBV5WPT9K259R/Itjime+abstract+18.48.jpg Tyvek Noren 18x48 - Itjeme Black/Teal 18 x 48 SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525405845-H8TF22FXM46A330R7VHC/Mokume+Black+red+18.48.jpg Tyvek Noren 18x48 18 x 48 SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525404741-HD05Z7V9RHN9FTF0OYBW/Mokume+black+greyblue+18.84.jpg Tyvek Noren 18x48 - Mokume Black Teal Gray 18 x 48 Tyvek & Ink https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1451496955754-T33A3RIZ364KH07SW45K/Two+red+lines+18x48_edited-1.jpg Tyvek Noren 18x48 - Two Red Lines 18" x 48" Ink on Tyvek SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1456434080283-I8HLUI1YCSM87RPBJJPN/image-asset.jpeg Tyvek Noren 18x48 - Itjeme Indigo lines Tyvek and Ink 18"x48" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525403529-TKQME2CLLZY1ZIXVGOU1/Itjime+indigoA+18.48.jpg Tyvek Noren 18x48 - Itjeme Indigo Front 18 x 48 SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1449525403486-KV0RYO2R0634NO00HN2S/Itjime+indigo+B+18.48.jpg Tyvek Noren 18x48 - Itjeme Indigo Back 18 X 48 Sold https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1451497020497-WS0JOL2IYLZAZYKO2GCH/Grey+Orangeinterfer+18x48_edited-1.jpg Tyvek Noren 18x48 - Mokume Grey Interference Orange 18" x 48" Mokume Tyvek ink and interference Orange SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1451497049320-WGDDKS1LACHHBQML8BVP/Stitched_edited-1.jpg Tyvek Noren 18x48 - Stitched Ink on Tyvek pieced https://www.maude-andrade.com/new-gallery-3 daily 0.75 2025-01-18 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1587136635367-GHO71TL5NH3WFKCHIUO5/Andrade_Untitled+2.jpg Flying to the Moon for Band Aids - Flying to the Moon for Band Aids #15 12”x12” oil on board 2018 To Purchase “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1587136635367-GHO71TL5NH3WFKCHIUO5/Andrade_Untitled+2.jpg Flying to the Moon for Band Aids - Flying to the Moon for Band Aids #15 12”x12” oil on board 2018 To Purchase “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1587136672707-NET6IUS5DBWP0I8GBVT6/Andrade_Untitled+3.jpg Flying to the Moon for Band Aids - Flying to the Moon for Band Aids #16 12x12 oil on board 2018 To Purchase “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585599600285-I2FD0XUQON4GCE3WOKLY/Untitled+4.jpg Flying to the Moon for Band Aids - Untitled 12x12 oil on board 2018 “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1507247369012-ABFRHEFGOQMMPO8ZX4VT/U7-10.jpg Flying to the Moon for Band Aids - u7-10 20"x20" mixed media 2017 “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1476322111396-5CGXYJH7RGHUGZ298WQX/NYTTurq.jpg Flying to the Moon for Band Aids - Not Yet Titled 20"x20" mixed media on board “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585599714808-ZCE2X40W4VX8JZGYAQT5/U7-12.jpg Flying to the Moon for Band Aids - U7-12 SOLD 36"x36" mixed media on board 2017 “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1476322143626-MJCBBOS7OGT1CT8NECCQ/NYTGrey.jpg Flying to the Moon for Band Aids - Not Yet Titled 20"x20" mixed media on panel 2016 SOLD “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1476322093279-134ATLQD56M2AMY28KFI/NYTPeriwinkle.jpg Flying to the Moon for Band Aids - Not Yet Titled 20"x20" mixed media on board SOLD “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1476322111933-S8XZXVYS7LXQ7WFWX1E6/NYTGrey.jpg Flying to the Moon for Band Aids https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1507247120881-PRNBLPD7XIHF68DCY0SH/U7-14.jpg Flying to the Moon for Band Aids - U7-14 20"x20" mixed media on board SOLD “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1507247569615-JZO6ESQ3V7XY08SN2QA3/U7-11.jpg Flying to the Moon for Band Aids - U7-11 12x12 mixed media 2017 SOLD “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1587136768726-7YD8TYIHPM5IAOM8T4M0/U7-01.jpg Flying to the Moon for Band Aids - Flying to the Moon for Band Aids #1 12x12 mixed media on board To Purchase “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1516751418044-AXWPA31HNO3SDC2UWNTL/U7-9.jpg Flying to the Moon for Band Aids - U7-9 12x12 mixed media on board 2017 SOLD “It is very good advice to believe only what an artist does, rather than what an artist says about their work.” David Hockney As a painter, I work non-objectively with color, form, and material process, rather than working abstractly from objects or pictures. Most of my work centers on mapping time and place. Titles reference existential questions, so I am content for there to be a vagueness as to the subject matter of my work. If the subject matter is not apparent or grounded in the knowledge of an existing object, then the end result is open to the interpretation of the viewer, allowing for an open dialogue of ideas and reactions to my “doing” rather than me saying what my paintings represent. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1493864770208-JDEOR4J8LECGJGWGH2JK/Pink+Clouds.jpg Flying to the Moon for Band Aids 20"x20" mixed media on board 2017 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1490148058400-IDWRRJUIYQ9N0KYFN8K7/U7-03.jpg Flying to the Moon for Band Aids - U7-03 12x12 mixed media on board https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1490148173763-E8MG4VN3FNBENT1777JD/U7-04.jpg Flying to the Moon for Band Aids - U7-04 20x20 oil on board https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1507247619379-LWUTNS1YTGQD71IX7ETT/U7-8.jpg Flying to the Moon for Band Aids - U7-8 12x12 mixed media 2017 https://www.maude-andrade.com/clouds daily 0.75 2024-01-29 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1706495016695-GMMIB18ROBTZDET70455/Weight+of+100+Elephants+18_Maude_Andrade.jpg Clouds - Atmosphere #3 24”x24”x3” oil on board https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1706495016695-GMMIB18ROBTZDET70455/Weight+of+100+Elephants+18_Maude_Andrade.jpg Clouds - Atmosphere #3 24”x24”x3” oil on board https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1632006687849-YXV5SGIWCQTPWV1KFWQY/Weight+of+100+Elephants+18_Maude_Andrade.jpg Clouds - Atmosphere #4 10”x12”x2” oil on board 2021 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1632005910217-QPPL2V6S6D9UDW7UGDW9/Weight+of+100+Elephants+18_Maude_Andrade.jpg Clouds - Atmosphere #3 10”x12”x2” oil on board 2021 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1632006905468-NO40CMYT4IHZTC6L1N5E/Weight+of+100+Elephants+18_Maude_Andrade.jpg Clouds - Atmosphere #1 10”x12”x2” oil on board 2020 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1632006832283-088NPCINNG7M2M624IDO/Weight+of+100+Elephants+18_Maude_Andrade.jpg Clouds - Atmosphere #2 10”x12”x2” oil on board 2020 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1621728790150-ST2O5GZ4MB10P2BVRW0S/Weight+of+100+Elephants+18_Maude_Andrade.jpg Clouds - Weight of 100 Elephants 18 12”x12” oil on board 2021 The title of these paintings comes from the calculations scientists have made to get a measure of the water an average cloud holds, about the weight of 100 elephants. I paint clouds because of their overwhelming beauty. I am also thinking of the water they hold. In New Mexico, we live constantly looking to the sky for water, because it is essential to our lives. I am in awe of it as a magical substance that has the possibility of existing in three different forms depending on the local environment. Without water’s unique properties clouds would not exist and we would not have the pleasure of their beauty or the sustenance they hold. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1651935556991-3EBLFNUHXCPQB3YQROGW/Weight+of+100+Elephants+19_Maude_Andrade.jpg Clouds - Weight of 100 Elephants 18 12”x12” oil on board Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1621728933335-FCI8OKVYTPMXNP6FBQ0X/Weight+of+100+Elephants+19_Maude_Andrade.jpg Clouds - Weight of 100 Elephants 19 12”x12” oil on board 19 Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1658965790264-XRGHO8K64C3HK54S6IQB/Weight%2Bof%2B100%2BElephants%2B17_Maude_Andrade.jpg Clouds - Weight of 100 Elephants #17 12”x12” oil on board 2021 SOLD Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1658966100819-0GZN0WA95QMI0GNWG892/Weight%2Bof%2B100%2BElephants%2B17_Maude_Andrade.jpg Clouds - Weight of 100 Elephants #14 12”x12” oil on board 2018-2021 SOLD Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1621728207286-7VVEJYL24YKY7ODAHJ34/Weight+of+100+Elephants+15_Maude_Andrade.jpg Clouds - Weight of 100 Elephants #15 12”x12” oil on board 2021 Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1621728426285-9L6I208NNNQWW5TZJEAU/Weight+of+100+Elephants+16_Maude_Andrade.jpg Clouds - Weight of 100 Elephants #16 12”x12” oil on board 2021 Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585598541803-ODFI87XID8F6NTEROQLS/Weight+of+100+Elephants+11.jpg Clouds - Weight of 100 Elephants 11 12"x12" oil on board 2019 SOLD Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1609697674336-5VA0JBVX8FGEYNGX12C7/W%2Bof%2B100%2Belephants%2B7CaFE.jpg Clouds - Weight of 100 Elephants #6 2019 12”x12” oil on board. Sold Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585598567396-Y7XNL9IQ5OZODMYCNVKJ/Weight+of+100+Elephants+12.jpg Clouds - Weight of 100 Elephants 12 12"x12" oil on board 2019 SOLD Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1586967552659-AS2ZYUCHH79STU3RGH2Q/W%2Bof%2B100%2Belephants%2B7CaFE.jpg Clouds - Weight of 100 Elephants 7 2019 12”x12” oil on board. SOLD Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585598891496-4FTEW2WFKNM0K9GNKBAR/W+of+100+elephants+9CaFE.jpg Clouds - Weight of 100 Elepants 9 2019 12”x12” oil on board Sold Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1609696855537-FUPVPPX2KBX6VI4YPOSE/W%2Bof%2B100%2Belephants%2B6CaFE.jpg Clouds - Weight of 100 Elephants 6 2019 12”x12” oil on board I paint clouds because of their overwhelming beauty and I am thinking of the water they hold. In New Mexico, we live constantly looking to the sky for water, because it is essential to our lives. I am in awe of it as a magical substance that has the possibility of existing in three different forms depending on the local environment. Without water’s unique properties clouds would not exist and we would not have the pleasure of their beauty or the sustenance they hold. The title of these paintings comes from the calculations scientists have made to get a measure of the water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585598961242-CUSNB0INGTMDI9SSCEGR/W+of+100+elephants+8CaFE.jpg Clouds - Weight of 100 Elepants 8 2019 12”x12” oil on board Sold Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1585599045866-ZIRHRNFRH4ME81MQ1GAQ/W+of+100+elephants+10CaFE.jpg Clouds - Weight of 100 Elephants 10 2019 12x12 oil on board SOLD Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521943826594-XDUIK3L7HKUQASOPWG3V/Cloud+1.jpg Clouds - Weight of 100 Elephants #2 12"x12" oil on board 2018 SOLD Weight of 100 Elephants I believe that paintings should be “two faced”, on one hand telling an obvious straightforward story, and simultaneously saying something less obvious and symbolic. The obvious, these are paintings of clouds in a big blue sky. New Mexico clouds, familiar, shared theater to all of us living in the high desert. I marvel at their beauty and I am grateful for the possibility of moisture they bring. I am in awe of this magical substance water, which can exist in three different forms, liquid, solid, or gas, depending on local conditions. The symbolic, I started thinking of these paintings as portraits, cloud portraits representing water, then the portraits took on an environmental/political narrative, because in the desert we live with a heightened awareness of drought as an ever-present environmental issue. The name “Weight of 100 Elephants” comes from the calculations scientists have made to calculate the amount of water an average cloud holds, about the weight of 100 elephants. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1523714048166-A88AIJJXP61W1SAIP42P/MaudeAndrade_6509.jpg Clouds - Clouds 20"x20" oil on board SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1521943828739-JJEGVF3JIIIOKLCFQTCP/Cloud+2.jpg Clouds - Weight of 100 Elephants #1 12"x12" oil on board 2018 https://www.maude-andrade.com/tyvek-noren-totes-installation daily 0.75 2020-04-13 https://www.maude-andrade.com/blogvideopodcasts daily 0.75 2020-12-12 https://www.maude-andrade.com/blogvideopodcasts/maude-andrade-studio-video-by-apollo-road monthly 0.5 2020-12-12 https://www.maude-andrade.com/blogvideopodcasts/qpal88axuzkbicftbu5fkq2317i1ay monthly 0.5 2020-12-12 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607742570598-8LLK3GZ20VST85UGUS04/3A51B0C1-8C31-4139-A83D-FAB692821559.png Blog-Video-Podcasts - Apollo Road Podcast 2020: 008 Maude Andrade II APOLLO ROAD PODCAST: 008 https://www.maude-andrade.com/blogvideopodcasts/visual-connections monthly 0.5 2020-12-27 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607741237962-BH7YT5K1DNU07NEX6I0N/Maude-Andrade-Painting-ftb-19.jpg Blog-Video-Podcasts - Visual Connections https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607741307288-JRGMMFPDZB3ZWTTNCLCB/Chromo-Series-3-red-front_Maude-Adrade.jpg Blog-Video-Podcasts - Visual Connections https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607741349216-YDL48KVOOKMASAGWU7LI/Sphere+green+black+dirty+purple.jpg Blog-Video-Podcasts - Visual Connections https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607741557852-9NP2LT1SHEX3KEZVU2YB/Blue+Black+6x6.jpg Blog-Video-Podcasts - Visual Connections https://www.maude-andrade.com/blogvideopodcasts/apollo-road-podcast-maude-andrade-adaptable-creative-process-002 monthly 0.5 2020-12-08 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607400232701-G4A4HLEKM9VGQENZ3K82/002-maude-andrade-adaptable-gN7nGMqPbY9-7pGEFlIm4xB.1400x1400.jpg Blog-Video-Podcasts - Apollo Road Podcast: Maude Andrade: Adaptable Creative Process 002 https://www.maude-andrade.com/blogvideopodcasts/nm-pbs-colores-maude-andrade-june-27-2014 monthly 0.5 2020-12-08 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607398406592-E72QNNROEFEWM8WU7AGN/Undo-My-Logic-copy.jpg Blog-Video-Podcasts - NM PBS ¡Colores!: Maude Andrade June 27, 2014 NM PBS ¡Colores!: Maude Andrade https://www.maude-andrade.com/blogvideopodcasts/tag/Apollo+Road+Podcast monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/New+Mexico+Artist monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/Alejandro+Velazquez monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/Albuquerque monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/Damian+Velasquez monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/Maude+Andrade+Painting monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/New+Mexico+Painter monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/Chromo+Series monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/Maude+Andrade monthly 0.5 https://www.maude-andrade.com/blogvideopodcasts/tag/NM+PBS+Colores monthly 0.5 https://www.maude-andrade.com/contact daily 0.75 2014-11-11 https://www.maude-andrade.com/about-maude-andrade daily 0.75 2023-07-24 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1607744998152-L31B6QX1UNZTDEBK71N3/Maude-Andrade.jpeg About Maude Andrade https://www.maude-andrade.com/page-cv daily 0.75 2025-07-14 https://www.maude-andrade.com/new-page daily 1.0 2026-01-02 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767382094828-CPTTE2DPZCUX18Y45XA5/IMG_7652.jpeg Home https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1658970024003-FD123GJPN5O61FMPLOL6/D4F66AD8-E391-4A98-A7FF-3CA8979A16AA.jpeg Home https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1658970076161-YD4TQGN8OVMFSU08HMPV/C175A831-3850-40DA-85D0-947D5D8A87C9.jpeg Home https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1658970177694-4PV9WMR7TR0DARQ26K8N/E57E6F41-F794-4C95-93CD-E2F64A26A0B0.jpeg Home https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1658970746534-ELC59HK2Y8ODRI9NPAAI/A86553FC-0535-4DA5-B721-DE8A83D8A935.jpeg Home https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1753659394663-MN9FTQYFA2440IVJBZSM/Tyvek+Noren+studio+installation.JPG Home https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767319277950-MFHH1SLN5A9YMZLI2TVZ/Future+Perfect+13.jpg Home - Epicenter #9 Mixed Media Painting collage and oil on board12 “x12”x 3” I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767320609699-MTGSQY6AGTTE2WTNZOHS/Epicenter+1_edited-1.jpg Home - Epicenter #11 Mixed Media Collage and Oil on board 24"x36"x3” In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767318373548-KCF8HGTHW3U5X1W1VGY8/Epicenter+1_edited-1.jpg Home - Epicenter #1 Mixed Media 20"x20" I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603014405-8W5AAV1HB2HFHB9S03ZD/Epicenter+17_edited-1.jpg Home - Epicenter #17 Mixed Media 20"x20"x3” In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. ! The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1586976173117-ULNK5CTUC3TA430FVO2Q/Future+Perfect6_edited-1.jpg Home - Future Perfect #6 Mixed Media Painting Interference pigment 12"x12"x3” Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767318639437-PZL4KWILE0AP5JHQYTEY/Future%2BPerfect%2B13.jpg Home - Future Perfect #13 Mixed Media Interference Pigment 12 x12 x 3" Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1586975852238-56JXMQ17B38XN3VH6K44/Future+Perfect+13.jpg Home - Future Perfect #14 Mixed Media Painting Interference Pigment 12 x12 x 3" Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603098755-TVPGTTA0TBTDP0LC8YQE/Future+Perfect5_edited-2.jpg Home - Future Perfect #5 Mixed Media Collage, oil, and Interference pigments 36"x36"x3. Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767318691178-LM2EX1JVCRLCZ9WF10IH/Future+Perfect6_edited-1.jpg Home - Viel of Tron #4 Mixed Media Painting Collage and Metallic powder 12"x12"x3” https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767321438334-A5FUHZHT3ZH51ZG0STM5/Future%2BPerfect%2B13.jpg Home - Future Perfect #1 Mixed Media Collage, Oil, and Interference Pigment on board 12” x12” × 2" Interference paints contain microscopic particles of mica coated in titanium dioxide. These particles, reflect and refract light from within the paint. A painting shifts color depending on lighting, time of day, season, and with the viewer’s vantage point creating a visual sensation for a particular moment in time. I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1767377892050-5K2PNC219HRF0F1NUO7H/Untitled+White3.jpg Home - Epicenter #18 Mixed Media Collage, Metallic powder in oil on board 24”x36”x3” I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1759598403587-ZR3YW6KF0YZBBOCLDQRR/Epicenter%2B16_edited-1.jpg Home - Epicenter #16 Mixed Media #24"x36" SOLD In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. ! The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603147288-J9WYUUEPB7B5961TADAU/Future+Perfect3_edited-1.jpg Home - Future Perfect #3 Mixed Media Interference pigment 12"x12" Sold In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. ! The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603059295-DKAANNW61LODTQBE1PLI/Future+Perfect4_edited-1.jpg Home - Future Perfect # 4 Mixed Media Interference pigment 12"x12" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416603038410-KJEZF1321644X8CAA775/Future+Perfect+9_edited-1.jpg Home - Future Perfect #9 Mixed Media interference pigment 12"x12" SOLD https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1416602948879-Z5J255WI31AY7GRG8ZO8/Epicenter+9_edited-1.jpg Home - Epicenter #9 Mixed Media 12"x24" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1493865119341-PW99QCANW5ZLUZ2DTLYQ/Untitled+White2.jpg Home 10"x12"x2" graphite and oil on board to purchase contact Allison Barnett at Patina Gallery, Santa Fe New Mexico 505-986-3432 SOLD https://static1.squarespace.com/static/532f3290e4b0eaed9ab83263/53324905e4b012699b8d5934/6957299ed1ce3423ec156294/1767319958373/ Home - Epicenter #9 (Copy) Mixed Media Painting collage and oil on board12 “x12”x 3” In this series of paintings, I use collages of ellipses under a “skin” of oil paint to explore representations of physical, metaphorical, and emotional forces. The ellipse is a departure from the precision of the circle while maintaining the visual idea of continuity and endlessness. It is a form that is both empty and full and speaks to the many cycles seen in nature; the mysterious quality of the overlapping sculptural shapes just below the painted surface suggests a hidden other. The collaged ellipses lend their form to physical processes such as waves rhythmically hitting a beach, or ripples emanating in concentric bands from a stone thrown into a pond of water. The ellipse can be viewed as the shape sound makes, its reverberation, or the energy radiating outward through the earth’s crust at the epicenter of an earthquake. https://www.maude-andrade.com/painting-under-200 daily 0.75 2020-07-13 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1594596767276-ZNL4YS3XO647B7UQVMMX/Maude-Andrade-painting_blue+black.jpg Painting under $200 https://www.maude-andrade.com/painting-under-200/atomosphere-panting-6x6 monthly 0.5 2025-09-28 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1688501372595-2TOM1ZH8EYZH3MJBYPDB/IMG_6402.jpeg Painting under $200 - Atmosphere panting 6"x6" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1688501135302-VQZLYV57KGQKS5HG49FF/IMG_6404.jpeg Painting under $200 - Atmosphere panting 6"x6" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1688501135498-EHX6JCXRN58NCOZJZX3C/IMG_6403.jpeg Painting under $200 - Atmosphere panting 6"x6" https://www.maude-andrade.com/painting-under-200/atmophere-painting-6x6 monthly 0.5 2025-08-20 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1688501207358-8WD1U9XDVCH0LBUCCJJC/IMG_6381.jpeg Painting under $200 - Atmosphere painting 6"x6" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1688500760266-ZH9D7ESJS9B6NFGSTJ80/IMG_6383.jpeg Painting under $200 - Atmosphere painting 6"x6" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1688500821657-T7TKZA91UQA66Z4UCQKJ/IMG_6382.jpeg Painting under $200 - Atmosphere painting 6"x6" https://www.maude-andrade.com/painting-under-200/atmosphere-paintng-6x6 monthly 0.5 2023-02-23 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1666405034444-56GQTWJEE7C4DFVH6L8O/7DF0AF1D-1D9F-41BE-86CD-6A7438336109.jpeg Painting under $200 - Atmosphere paintng 6"x6" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1666405089398-LNFANA8R967HPQ1MA8PT/E0AEA4C4-842A-46FF-AB10-674EB4FFAFD9_1_201_a.jpeg Painting under $200 - Atmosphere paintng 6"x6" https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1666405163670-QIE9FVWLRDFXC0IIG2YG/10FED569-8620-45E2-8665-FCCEF48387A0.jpeg Painting under $200 - Atmosphere paintng 6"x6" https://www.maude-andrade.com/painting-under-200/chromo-series-6x6-deep-turquoise monthly 0.5 2023-09-25 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1594606727984-0H8WN0MZOVO5X8O5IEHQ/Maude-Andrade-painting_blue.jpg Painting under $200 - Maude Andrade 6"x6" oil painting deep turquoise https://www.maude-andrade.com/painting-under-200/chromo-series-6x6-j5de2 monthly 0.5 2020-07-13 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1594606552963-9J2RT7ZMT1TG63WVQXNT/Maude-Andrade-painting_green+black.jpg Painting under $200 - Maude Andrade 6"x6" oil painting https://www.maude-andrade.com/painting-under-200/chromo-series-6x6 monthly 0.5 2022-02-19 https://images.squarespace-cdn.com/content/v1/532f3290e4b0eaed9ab83263/1594595288235-PV3SBLCN473TIC70FLP9/Maude-Andrade-painting_blue+black.jpg Painting under $200 - Maude Andrade 6"x6" oil painting blue black https://www.maude-andrade.com/new-products daily 0.75 2020-08-21